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Both creepy and amazing. #tadpocalypse #nature #thebits

The Art of Daniel Hooker — Tue, 12 Apr 2016 23:35:58 +0000

A video posted by Daniel Hooker (@danielhookerart) on Apr 12, 2016 at 4:35pm PDT

Both creepy and amazing.
#tadpocalypse #nature #thebits

Branching Out

admin — Tue, 23 Aug 2011 05:52:51 +0000

Wanted to play a little bit more with loosening up my style and setting more of an atmosphere with a piece so thats what I did this evening after I finished my daily figure drawing. I took pictures along the way so I can share the process.

(Side Note: Not sure why its stretching the images, its never done that to me before, but its 2am so they are staying that way for now. If you click on the images they will show at their correct dimensions.)

Started in my sketch book with a quick sketch:

Once I had a decent idea of where I was aiming I switched over to the Bristol board and resketched with more detail:

Usually I would ink next, but decided to do some shading first, the thought process being that I could be more efficient with my lines once I had a more solid idea of the lighting:

So after loosely shading with Copics I went back in and inked the lines:

Finally I went in and did the background:

And thats it!

I actually would have gone back through to do hi-lights but my paint brushes are in the bedroom and my wife is sleeping. I think it came out pretty well I already know some things I intend to do differently (like making sure I dont run out of my W3 , using a wash for the background, planning the background a little more.)

Heres to effort and growth!

Drawing from life

admin — Mon, 09 May 2011 02:21:23 +0000

This title is misleading. While I’m a huge proponent of drawing from life, and I recognize how crucial it is, most artists understand how its not always the most convenient option.

As I’ve mentioned before sometimes a photo reference is the best you have access to, and this is an example of that. Starting from a photo (again by the talented Uriel Reyes). Starting from one of his photos, I took the duality of the models facial expression and ran with it, expanding on the divided expression through contending elements of nature and industrialism, land and sky, and night and day; all of this brought together through a piece inspired by art nouveau with a little extra heavy influence from Alfons Mucha.

I’ve done 2 of these now and both came out pretty spot on as far as what I was shooting for so I’m looking at pursuing the concept and producing a series.

Thanks to Uriel Reyes for the reference.

I’d like to start working color into it. I did a hint of color in this one (digitally) but I’d like to play more and see where it goes.

Digital color, think I might try watercolor next.